How To Write Eye-Catching Headlines that Transform Browsers into Buyers

Your headline is the first, and perhaps only, impression you make on a prospective reader. Without a compelling promise that turns a browser into a reader, the rest of your words may as well not even exist.   So, from a copywriting and content marketing standpoint, writing great headlines is a critical skill. Here are some interesting statistics…   On average, 8 out of 10 people will read headline copy, but only 2 out of 10 will read the rest. This is the secret to the power of your title, and why it so highly determines the effectiveness of the entire piece.   Remember, every element of compelling copy has just one purpose — to get the next sentence read. And then the sentence after that, and so on, all the way down to your call to action. So it’s fairly obvious that if people stop at the headline, you’re already dead in the water.   The better your headline, the better your odds of beating the averages and getting what you’ve written read by a larger percentage of people.     Once you understand why magnetic headlines pull readers in, you’ll know how to do it for your own sales pages, every time. Follow along with me for the next ninety seconds and I’ll show you exactly how you can turn a casual browser of your sales page into an avid reader, curious to drink in your copy until ultimately hitting the “Buy” button.     Tell your readers’ they’re in the right place  In order to stop readers in their tracks, capture their attention through every word of your copy, and persuade them to click that “Add to Cart” button without a second thought, you need to master the “headline reading psychology” of your soon-to-be customers.   So many people create clever turns of phrase hoping to pull people into their sales copy and wonder why their catchy headlines just don’t work. The answer is simple: Readers are busy people, and they don’t have time to study your sales letter to see if it’s relevant to them. Instead, they rely on you to do that work for them.   But how do you do that? The answer to that is simple as well: You ensure your headline is clear, not clever, telling the reader exactly what your sales copy is poised to deliver.   Use specific keywords  that show without a doubt that your page is relevant to people with a specific need or a specific problem – and don’t over-think it. If you’re a blogger, you probably already do this with your post titles, so apply that same thinking to your headlines.   For example, look at the title for this post – it’s about “how to write headlines.” Ever wonder why you always hear such high praise for “How To” headlines? It’s because they’re extremely relevant by nature. Keep in mind, however, that a “how to” headline might not be the most powerful choice for your particular sales page.   When it’s time to write your headline, think of the primary, top-of-mind problem or result your readers are after and make that the foundation of your headline. Do this right, and your readers will automatically know that they’re in the right place – and save your cleverness for later.   Next, add the carrot: Attach a powerful result to your headline   After you establish relevance to your readers’ immediate needs, you need to help your readers connect to a mouth-watering result that comes from addressing that need. The often quoted “How to ____ so you can ____” is a great example of bridging relevance to result.   Never forget that your readers aren’t looking for products or services – they’re looking for beneficial outcomes, and the relevant keywords you write into your headline are often the means to that outcome. So ask yourself why your readers want to take that relevant action, and you’ll be guided to a promise   or two that you can make in your headline.   I’ll use this post as an example again – you’re reading this far because you want to know how to write headlines, but what you’re really after is getting people to buy from your sales page.   Finally, dress it up: Add emotionally stirring and action words to your headline Once you’ve married relevance to outcome, it’s time to add a little flavor to your headline by hand-picking compelling words to make those two features “pop.”   In this post I modified “headlines” with the adjective “eye-catching” to add some life to the text. I’ve also used the powerful transitive verb “transform” to suggest actionable change, which intensifies the promise of desired results.   Pick words that make the relevant keywords or the desired results seem more powerful and attainable – or simply add a third component to the headline like a time-frame or a variation of “easy” or “simple” (if it applies).     Take a few moments to read through headlines in magazine articles with a more educated eye, looking for how each example uses relevance, results, and powerful modifiers to make you want to read each article to the very end.     Which, now that you think about it, you’ve just done with this article. I’ve written an 11 page report that will teach you everything I know about writing headlines. Click here to learn more about it.

Secrets to Understanding the NYC Art World: Beware the Vanity Gallery

If you are like most artists who take their career seriously, you are willing to give almost

Chelsea Art District in Manhattan

anything a try.  And if you are like me, you put a lot of care not only into creating your art but into the business side of your art.

You love to create, right? And, of course, you want your work to be seen and appreciated, right? So you take the time necessary to have gallery openings and exhibitions.

In two of my previous articles Secrets to Understanding the NYC Art World and Top 3 Ways to Meet NYC Art Dealers, I showed you how to find the right galleries and some simple ways to meet the owners or directors.

But there is one category of gallery that you must stay away from: The Vanity Gallery

There are somewhere around 1,200 art galleries operating in New York City at any given time.  About 300 of these galleries are in the Chelsea Art District.

The rest are scattered around the city from The Upper East and West Sides, to Soho and Tribeca, and down to the Lower East Side.  There are galleries in Brooklyn, Queens, and Staten Island. They operate in many forms from simple private art dealers who sell out of their homes to elaborate multi-million dollar operations.

Most of these businesses are legitimate and can really help your art career to grow.

But the vanity galleries are not legitimate galleries like the vast majority of the others.  These vanity galleries have no interest in helping your career grow. They have one interest and one interest only: getting your money.

I’m going to show you some differences between legitimate galleries and vanity galleries so you will be able to tell them apart.

How the Vanity Gallery works:

A vanity gallery has no real collectors or clients who buy art from them. Their main income source is renting you gallery space by the month, week or other time frame.

So the foremost sign you are dealing with a vanity gallery is that they will be asking you for money to show there.

They are not affiliated with the art critics or major art publications such as Art in America. So they are not well-connected to the right people in the real mainstream art world. They have no interest in helping your career grow, nor could they even if they tried.  They cannot really help your career. You give them your money and they sell you dreams.

How the Real Mainstream Art World Works:

A real mainstream art gallery or art dealer will have many avid art collectors and art buying clients who fuel their business.  They will not ask you for money to show your work in their gallery.

They will have many affiliations with art critics and art publications who can review your openings and publicize your work. They have a great deal of interest in helping your career to grow, because the more paintings you sell the more money they will make.

Please note: In these tough economic times, some legitimate galleries may ask you to pay for your own invitations or other expenses relating to an opening. But they shouldn’t be asking the artist to pay for exhibition space.

The rules for real mainstream galleries are constantly changing and we are living in difficult economic times. More and more the mainstream art world is asking the artist to share the cost of promoting their work. If you are asked to share expenses for an opening in a real mainstream gallery, I think for sure you should go ahead with it.

Final thoughts…

Let’s face it, the art world here in New York City is small.  The real, legitimate mainstream galleries know who the vanity galleries are and how they operate.

Showing in a vanity gallery is not going to help your career. In fact, it can actually harm your career.  Having a show in one of these galleries can brand you in the eyes of the real mainstream art world as an extreme novice, or a desperate artist.  Don’t waste your time with the vanity galleries.

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• A systematic, simple way to understand and implement effective online marketing.
• A clear tutorial approach to creating a profitable online business or marketing your offline business online.
• An organized reference guide to the “best of the best” that’s appeared on my blog, and how it all fits together.

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Why Some Artists Will Almost Certainly Prosper in the New Economy

There is revolution in the air. Unless you have spent the last four or so years on Mars you can’t have missed the restless loss of direction of the western world as it has struggled to make sense of the momentous economic catastrophes unraveling all around. Security, certainty and jobs have been sucked into a wild vortex of global meltdown.

But, it is in shifting times like these that revolutions happen… Rules can be rewritten, systems can be changed. Paradigms shift… Revolutions can create positive new opportunities…

The times they are a changing…

Seth Godin, in a recent post, talked about the fact that the jobs, as we know them, aren’t coming back…

“Job creation is a false idol. The future is about gigs and assets and art and an ever-shifting series of partnerships and projects. It will change the fabric of our society along the way. No one is demanding that we like the change, but the sooner we see it and set out to become an irreplaceable linchpin, the faster the pain will fade, as we get down to the work that needs to be (and now can be) done.” – Seth Godin

It’s not about waiting for the old jobs to come back. That isn’t going to happen. It is about taking things into your own hands and creating the work that you want to do… and as artists and artisans, we are perfectly positioned to take advantage of this change…

The artists who will thrive and prosper will do these things…

• They will seek out successful mentors, experts and teachers who will educate them in specific business skills such as marketing and selling
• They will surround themselves with a community of like-minded others who will inspire them and keep them highly motivated
• They will continue to read, study and learn all that they can about the business of art
• They will continue to hone their presentation and closing skills
• They will create a marketing plan with a time deadline and begin executing it
• They will pick up the phone and make the necessary phone calls to gallery owners and directors

But revolutions are not always bloodless…

Anyone who has ever laid in bed at night wondering how they were going to feed the kids or pay the mortgage or stop the car from being repossessed knows that a revolution is a terrifying time… I have been there. Opportunities for change are balanced by loss. Dreams of a new start are often founded from the stomach churning nightmare of disaster. How can we move forward without being paralyzed by fear of what the future holds?

The revolution of the mind starts here…

“When everyone has a laptop and connection to the world, then everyone owns a factory. Instead of coming together physically, we have the ability to come together virtually, to earn attention, to connect labor and resources, to deliver value.” - Seth Godin

Artists and creative people have always had the kind of skills needed to survive in the art world. Self motivation, Pro activity, focus, passion and a burning desire to create something wonderful. These skills now stand you in good stead.

The difference between the past and now is that you don’t need anyone else to sell or promote or make things for you. The tools available today offer the ability to connect and reach all over the world. We are in unprecedented times.

Don’t sit and wait for someone else to create a job for you. Create your OWN.

You CAN break out of the system.

Think laterally.

So how can we push forward? The failing economy has meant that it has become harder for artists to sell some kinds of work. Buyers cut back on non-essential purchases, meaning that they might not buy a painting they wouldn’t have thought twice about purchasing three years ago. Art sales are lower in some areas and it may seem like an uphill battle to find a place in the new economy. What can you do?

The answer is to think laterally and find a place where your creative skills and a NEED come together. Look around. What do people or businesses really need {not just want} and how can you help them with that?

When you find the intersection between what you love creating, and a need, then you will have found the sweet spot that will  create opportunity for you. Creating, solving people’s problems and getting paid for it. Perfect.

Focus on flexibility and improving your business skills. Understand how things work in business so that you can ride the wave rather than getting swept along by it. Start to create multiple income streams from your skills all of which can contribute to your household income and offer protection against market fluctuations.  Maybe, in time you will be able to create opportunities for others who are less well equipped for the journey…

Brave New World.

The world is changing and this can be disconcerting and frightening. Every revolution shakes up the system and often what comes after is much better. The jobs aren’t coming back anytime soon and the shape of the new recovery will not be the same as the old way. It’s not an easy road by any means, but surely it’s time to reform the economic landscape to be more humane. To work in ways that are FOR people, rather than AGAINST them. You have the creative skills and mindset to be at the forefront of this revolutionary new landscape.

Time to be brave and grasp the opportunity of a new paradigm.

Please let us know how you are managing to take the bull by the horns and create your own way in this brave new world.

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I’ve got you covered with Smart Art Marketing. And there’s absolutely no charge.

This 20-installment email course and newsletter delivers the techniques and strategies you need to know when marketing online.

Here’s what I’ve got for you:

• A systematic, simple way to understand and implement effective online marketing.
• A clear tutorial approach to creating a profitable online business or marketing your offline business online.
• An organized reference guide to the “best of the best” that’s appeared on my blog, and how it all fits together.

Find out more and sign up for free here.

8 Reasons Your Art Blog or Website Isn’t Making Any Money (And What To Do About It!)

Sure, you want comments.

And subscribers, and shares, and likes.

But you don’t really care about any of these things. You want what they will eventually lead to …

Money.

Yes, traffic is good, and so is reader engagement. But if you’re reading this, chances are you’re running a blog with the intention of marketing a business and making some money.

Now, that could be a bit distressing, because most bloggers are broke.

Here’s why …

1) It’s all about you

This is the big one.

Unless you are a famous movie star like Brad Pitt or Angelina Jolie, nobody cares about you personally.  So wake up and smell the coffee, because it ain’t about you baby.

Yes, that’s right — all of your posts are about you, your news, your newest paintings or photographs, your studio. And you wonder why nobody signs up for more? Forget about your subject area, and think about your customers, your collectors. What are their problems? What matters to them? That’s what you need to be writing about.

This is where I see so many artists making their biggest mistake.  I even saw a website recently of a art business guru who was telling her artist followers to blog constantly about their art and their newest art offerings.  This is terrible advice.

2) You don’t hook their interest

Yes, I’m talking about headlines. For your blog posts, for your email newsletters, for your ads, and for the teaser links to your content. They all need to hook your audience’s interest.

You need to become an expert in writing headlines that will grab the reader’s attention.

Begin reading magazines like Cosmopolitan, Newsweek, or even some of the tabloids. Study their headlines.

Read all you can about what makes a enticing headline.  This is one of the most important skills you can have in internet marketing.

If you are not in expert in writing headlines, you could click here and hire me. I can help you write headlines for your newsletters, blogs and other content.

3) You don’t make it explicit

Yes, that’s right. If you want your visitors to opt in to your mailing list, then you have to say so, in so many words: “Sign up for my list to get all sorts of goodies. Do it now. Click here.” Put those words, or words like them, near your opt-in box, and make sure to include a call to action in your posts, too.

4) You don’t ask for the sale

Yes, this comes back to being explicit. Don’t just have an “Add to Cart” link on your site — you’ve also got to tell people that you want them to buy your stuff. Tell them why they should do it, and what they’re going to get. And tell them when they should do it (right now!), which leads us to the matter of urgency …

5) There’s no urgency

Why buy today when I can buy tomorrow, right? You need to give your audience a reason to take action now. Make sure the constraint is real — maybe you’re raising the price after a certain date. Maybe the first 50 people to sign up get a special bonus. Or maybe you’re closing your program on September 1 (hypothetically speaking, of course …).

6) No social proof

Nobody wants to be the first one to arrive at a party — you want to know that other people are there, and having a good time. So who’s already bought your product or service? What was their experience like? Were they happy? Were they a lot like the person who is thinking about buying today?

7) No guarantee

There’s something comforting about a money-back guarantee. It provides a safety net, and shows how much confidence the seller has in whatever is being offered. Most companies offer guarantees, to the point that it looks sketchy if you don’t. So you have to offer a guarantee. But don’t just offer a simple “if you’re not satisfied we’ll give you your money back” guarantee — go over the top. Give them 110% of their money back. Donate $100 to charity. Set it up so that it’s not just about satisfaction, but about results (we guarantee that you’ll add $1,000 to your bottom line in six months, or your money back).

8) You’re not building trust

This is another big one.

If someone lands on your website or blog for the first time, they really don’t know you.  So they don’t trust you.  And it’s unlikely that they are going to buy from you. But if you can get them to subscribe to your newsletter or blog, then they will begin to get regular messages from you. Over time their trust will grow.  And trust will lead to sales.

So the formula is simple:  Consistently delivered messages = Trust = Sales.

One of the best ways to deliver consistent messages to your readers is an email newsletter.  An autoresponder will deliver consistent messages over time that will lead to trust and greater sales.

I’ve written an in-depth article about email newsletter marketing and which provider I think is the gold standard for the industry. Click here to read the article now!

Now, a question: how long are you willing to wait before your blog starts delivering dollars to your bank account?

Having realistic expectations is important. If you try to run a marathon as though it were a sprint, you’ll end up exhausted on the side of the road. And if you try to run a sprint as though it were a marathon, you’ll finish dead last.

So what kind of race do you want your blog to be running?

If you’re willing for it to take 2-3 years to get your blog to where you want it to be, then a good strategy is to read business books for bloggers, along with the best blogs in the industry.

But if you want to see results sooner, then get some help. For example, you could click the link in my blog and read about my art marketing mentoring program, that just happens to be closing to the public on September 1.    Or……

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I’ve got you covered with Smart Art Marketing. And there’s absolutely no charge.

This 20-installment email course and newsletter delivers the techniques and strategies you need to know when marketing online.

Find out more and sign up for free here.

Why Your Mailing List is Your Most Important Asset for Selling Your Art

Your email list is your most important asset for staying in touch with your customers.

What is the single most important tool in building your art business?  It’s your mailing list.

In the simplest terms, a mailing list contains names and contact information of people you know or might like to know. For the artist, a mailing list usually begins with friends and family, and then expands to buyers and potential buyers. You use your mailing list to stay in touch with all of these people–to keep them informed of your goings-on.

In a nutshell, your mailing list–something unique to you and your career–is the primary tool you use to share your art with the world. As you may know, I think sharing in a sincere way is much easier and much more effective than trying to sell.

These days, the artist’s mailing list contains both bricks-and-mortar addresses along with email addresses and phone numbers. For these reasons, it might better be called a contact list. You need all three types of information in order to keep your name in front of people and to conduct critical follow-up.

GUIDELINES FOR YOUR MAILING LIST

►Don’t delay. The longer you wait to begin or to update your mailing list, the more work you make for yourself. You don’t want to have something to tell everyone and then have to carve out time to input names into your computer. A mailing list is something every artist can do regardless of experience. You know people already! Having said that …….

►Give yourself a break. Forgive yourself for not starting earlier and don’t look back.

►Don’t purchase a mailing list. Build your own from scratch. Lots of people will eagerly sell you a mailing list, but you’re going to become annoying to gallery dealers and curators who have nothing to do with your work. No purchased mailing list can be as valuable to you as the one you build with a keen eye on your long-term goals. 

To build your list from your website or blog, you will need a link or widget placed on your site. This is easy to do and gets you going fast. See my email subscription form at the top right-hand corner and bottom of this blog.

►Use an email marketing service that makes it easy on you.  I use Aweber to collect my email names and manage my email newsletter.  I’ve written a very thorough blog on why I think they are the gold standard for email management: Click here to read the article.

►Do only what you can, but do it consistently.  Once you have your widgets in place on your website, they will work for you around the clock gathering names and addresses of people who are interested in what you do.  Then you will create a series of auto-responder emails that will have your newest art offerings.  The auto-responder will send out your emails on a regular basis for you. It’s a very smart way to do business.

For your friends and family on the list, input 20 names a week until everyone is in there. If you work better with large projects, set aside a day or two to crank it out. When it comes to updating, add and correct names and addresses in a way that makes sense. If you make lots of sales, meet lots of people, or have seasonal sales, you might need to do this weekly. If you are slower at getting your work out, monthly updates might be sufficient.

I can help you…

Gary Bolyer

If you need help setting up your newsletter marketing, I offer personal art business mentoring services.  I will work directly with you by phone and email to help you get the results you deserve.

I will access your situation from a brief questionnaire that you fill out.  And then I will come up with a plan of action tailor-made just for you that will get results.

Click here to Contact me today and let’s work together to get your art selling fast.

___________________________________________________________________________

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Smart Art Marketing

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I’ve got you covered with Smart Art Marketing. And there’s absolutely no charge.

This 20-installment email course and newsletter delivers the techniques and strategies you need to know when marketing online.

Find out more and sign up for free here.

Why Some Artists Will Almost Certainly Make More Money Using Email Newsletters

The best way for artists to increase their internet income is by using a simple email newsletter

What is the best way to increase your income on the internet if you are an artist?

There are a lot of options to deliver your content, images and messages online. Blogs, social media, static Web sites and user-generated content sites like Squidoo or Ezine articles all provide an opportunity to get the word out about your artwork.

Each of these has its distinct pros and cons. I love blogging, but it’s a a lot of work. And you have to keep feeding the engine–no matter how well-received your post is today, tomorrow your readers want to know what’s new and fresh.

Static Web sites and user-generated content sites are tried and true, and they belong in any fully-developed content strategy, but they’re not the first place I’d put my energy.

For my money, the smartest way to start out with internet marketing is with a simple email newsletter

They’re inexpensive–about $20 a month to deliver. They’re faster to put together than a paper newsletter, requiring only minimal graphic layout. And the really fun part is, you can create a fantastic sequence of communication, then deliver it again and again to each new person who signs up for your list.

Benefits of using email marketing to your clients, collectors, and gallery contacts

• Consistent email contact builds trust which leads to more and greater sales
• Auto-responders send out a sequence of regularly timed messages that you have created in advance.  They work for you even when you are away or sleeping. Truly, the lazy man’s way to riches.
• Consistent emails constantly keep your name in front of your customers and so they think about you next time they are ready to buy.
• You can offer a series of new products to your clients that are evenly spaced throughout your email campaign. More products offered means more sales

There are a lot of steps to putting an email newsletter together. None of them is
rocket science, but put them all together and it can be a little intimidating.

I’ve seen a lot of folks get bogged down just trying to choose a provider. I
completely understand—you don’t want to make a mistake or burn a lot of time
& energy with the wrong service.

Fortunately, there’s an extremely easy answer to this question. There really is one
provider—and no, I don’t work for them!—who stands head and shoulders above the rest.

This article will give you the complete scoop on what you need to look for
and why these guys are the gold standard.

DO YOU NEED AN EMAIL NEWSLETTER PROVIDER?

A lot of folks think they can “do it themselves” by either sending customer email
newsletters through a program like Outlook or (if you’re a little more tech-y)
writing your own PHP or other program.

“Doing it Yourself” is a BIG MISTAKE here

First of all, trying to send out bulk email to more than 10 or 20 people gets
complicated in a hurry. You lose track of who’s already gotten what. You have to
create folders and subfolders. Your local email service starts to get cranky with
you (sometimes very cranky) because you’re sending too much stuff. It’s just
messy.

But that’s not the reason not to do it.

You need a special email newsletter provider because if you don’t, one of these
days you will be marked as a SPAMMER.

It’s a little known fact that most of the email that gets marked as spam is actually
completely legit. People click that “spam” button if they forget that they signed
up to hear from you, or if they’re just not as interested as they used to be.

A lot of the time, they even click the SPAM button completely by accident.
Before you know it, the “big guys” have sent your name around as a “bad
character,” and NONE of your email gets delivered . . . to ANYONE. Not your
personal mail wishing your grandma a happy birthday, not the business mail you
use to confirm delivery of your product, NOTHING.

You really don’t want that to happen.

Use a reliable email newsletter service and they manage all those relationships for
you, so your mail will get delivered consistently. They send from a completely
different computer, so your personal email can never be accidentally marked as a
spammer.
The good ones also give you a heads up if you’ve written something that will raise
the “spam” flag on the automatic filters (you’ll be amazed at some of what gets
flagged). They deal with all the hassles for you, and they keep things simple and
organized. You just spend a few minutes typing your content in and they take it
from there.

A dedicated service to send your email newsletters is a critical business expense
just like having a phone line is—and it’s just as dumb to try to go without it!

A PIECE OF “EXPERT” ADVICE YOU MUST IGNORE

Lately, some of the “experts” have been telling folks that deliverability (that’s the
jargon for whether or not your email gets to your readers without landing in a
“junk” folder) is only about content. They claim that the spam filters just check
for certain words, and if you keep your nose clean your stuff will sail through.

These are people who have little or no experience testing different email providers.

OK, it’s partly true. Yes, you have to have good, valuable content. And you can’t
be a spammer. It helps a lot of you send something your customers want to get.
But that’s not the only piece of the puzzle.

As a matter of fact, it matters a lot who’s sending your email newsletter for
you. Some of the bigger names (including some you see advertising in the
business journals and magazines) don’t spend the time they should creating solid
relationships with the email providers. They’re not on the phone with AOL,
Gmail, Yahoo, Earthlink, Comcast and all those other guys, making sure that
those providers are delivering your email.

And if you publish a newsletter with one of these not-so-great services, even if
you have the best content in the world on a totally harmless subject, you can see
anything from 10-25% OR WORSE caught in spam filters.

Let’s be really clear. When your newsletter gets stuck in a spam filter, your
customers can’t read it. Which means they don’t forward it to their friends or
come in to check out your great new promotion.

Which means 10-25% OR WORSE of your money and time are WASTED.

I don’t want to get into any fights or make anyone’s enemies list, so I’m not going
to name the providers I’ve seen firsthand do a lousy job of managing the spam
filters.

In fact, I’m just going to give you one name—the “gold standard” for sending mass
email.

My 8% rejection rate shrank down to under 1%. My clickthroughs (that’s folks
who click on a link in your email—important to keep track of, because that
means you’ve got interested readers who are motivated to act) improved by
about five times. That’s all I needed to see—I’m a believer.

THE BEST EMAIL NEWSLETTER PROVIDER I’VE FOUND ANYWHERE

OK, enough with the suspense already. The best email newsletter provider for
small businesses (or even big ones, in my opinion) is a company called Aweber.

You can reach them here: Aweber.com

I haven’t seen any other provider come close to getting your email past the spam filters.

If you’ve been hanging around the Internet Marketing dudes, you know this name
already—they’re simply the best.

Not only does their email get delivered much more consistently, but it’s a very
EASY program to use.

IF IT’S THE BEST, DOES THAT MEAN IT’S EXPENSIVE?

Aweber costs a little under $20 a month for the basic package, which gives you
up to 250 subscribers. Then it jumps to $29 a month for up to 2,500 subscribers,
with modest increases as you get more people on your lists. Other than some of
the great free services provided by Google, I can’t think of a better, smarter
bargain for any business owner or organization. Anyone.

Remember, it’s not just cheap with GREAT deliverability, but the Aweber
program is designed for folks who don’t have a PhD in computer programming.
Setting up Aweber is about as easy as it gets—if you managed to figure out how
your email program works, you’re overqualified to use Aweber.

(No, I don’t work for them and I don’t own their stock. Maybe I should find out if
they even offer stock, so I can buy some. It’s just really, truly that good. No
baloney.)

A MISTAKE EVEN EXPERTS MAKE

Once in awhile, I see a business owner using the email provider that comes with
their shopping cart program, or their web domain host, or whatever.

Even people who ought to know better do this. I guess they don’t like the idea of
paying for a new program when they can use something they already bought.

Don’t do it. Your customers can “white list” you (that means they add you to
their email as a safe sender) until they’re blue in the face, some of your messages
are still going to get jammed up in their spam filters.

These “add-on” emailers just don’t put as much time and energy into making sure
as much email as humanly possible gets in front of your customers, instead of
getting stuck in a spam or “junk” box somewhere.

Use a good, dedicated service with an EXCELLENT reputation for
deliverability, whether it’s Aweber or another service you might find.

I happen to run my own free marketing newsletter using Aweber. If you’d like to
get some FREE solid art marketing tips and advice, feel free to subscribe below.

Grab My Online Art Marketing Course (It’s Free!)

Smart Art Marketing

Want to discover the smartest ways to mix social media, content marketing, and SEO for lead generation and converting those leads to customers and clients?

I’ve got you covered with Smart Art Marketing. And there’s absolutely no charge.

This 20-installment email course and newsletter delivers the techniques and strategies you need to know when marketing online. And, of course, it’s powered by Aweber.com.

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Why Some Artists Almost Always Make Money Selling Their Art

"Unknown Artist Drowning Girl" by Roy Lichtenstein

Have you ever known an artist whose work was incredible but they never seem to sell anything?  Or what about the opposite?  Have you ever seen an artist whose work was not that great but they sold things all the time and for really high prices?

You’ve probably wondered how this could be.

Some artists, without ever really being conscious of what they’re doing, stumble upon the right combination of marketing and selling strategies.   Their work may not be that great, but something else very powerful is coming into play.

And other artists work hard at their craft and yet never stumble upon the right selling formulas or techniques.   And, sadly, their careers flounder.  As a result, their beautiful work ends up collecting dust in an attic.  Their genius is lost forever. I’ve known artists like this and probably you have too.

Something tells me you’re just … well … smarter than most artists looking to market online.

You’re not interested in lame “get rich quick” schemes. You’re not looking for a magical silver bullet that involves no work, no time, and no sense.

In other words, you don’t have to be Einstein to “get” this stuff. But you’d have to be an idiot to believe some of the stuff peddled by traditional Internet marketing “gurus.”

So what is the dividing line between an artist whose career takes off and an artist whose career flounders?  It’s simple.  It’s the word “sell.”

You Must Learn How to Sell

For many artists the word “sell” is a vulgar word.  I once thought the same way.  I strongly believed that selling was beneath me.  I thought my work would just naturally attract the right people at the right time.

I was once too proud and too arrogant to lower myself to sell.

And then I had an eye-opening experience……

My Story of Learning about Marketing and Selling Art

Roy Lichtenstein, American Pop Art Icon

When I first moved to New York City in 1998, I had a chance encounter with a powerful gallery director from Manhattan.

I met her at a gallery opening and we became good friends. We would often meet for lunch near the SoHo gallery where she worked.

During the course of her incredible career, she had worked side-by-side with the famous American pop art icon Roy Lichtenstein.

She took me under her wing, and over the course of several months, taught me everything she knew about how to make it in the highly competitive New York City art world.

She introduced me to people.  But more importantly, she educated me.

And here is the most astounding thing she told me about Roy Lichtenstein.  She said that he spent 80% of his work week marketing and selling.  And he only spent 20% of his week actually making his paintings.

Think about that for one minute.  That means he only spent about one day a week actually making his paintings.  And the other 4 days of the week he spent selling and marketing.

She told me that Roy Lichtenstein became an art star because he worked very hard at selling and marketing and not because he worked hard at his painting.

She told me that if I wanted to be a successful and highly acclaimed artist, I needed to do the same.

There are many artists who have created great bodies of work.  The problem is, the sale goes not to the best artist, but to those who can sell the best.  In other words, not being able to sell is very expensive.  It costs you untold dollars in lost business!  It can cost you your entire career.

In conclusion….

There’s no way around it.  You must learn how to sell.  You must learn how to sell in-person.  And you must learn how to sell on the internet, through your website or blog.

Remember how I talked about in the first couple of paragraphs of this article how some people just stumble along and by accident learn to sell well.  Don’t rely on accidents when it comes to growing your career.

Find experts who can mentor you in the art of selling.  But choose your experts carefully. 

As you follow along with me through coming articles, I will be teaching you everything that my powerful Manhattan gallery director friend taught me.

Please read these articles carefully.  Learn to sell and your career will always flourish.

I can help you…

Gary Bolyer

If you need help getting gallery representation, I offer personal art mentoring services.  I will work directly with you by phone and email to help you get the gallery representation you deserve.

I will access your situation from a brief questionnaire that you fill out.  And then I will come up with a plan of action tailor-made just for you that will get results.

Contact me today and let’s work together to get your art career moving fast.

___________________________________________________________________________

Grab My Online Art Marketing Course (It’s Free!)

Smart Art Marketing

Want to discover the smartest ways to mix social media, content marketing, and SEO for lead generation and converting those leads to customers and clients?

I’ve got you covered with Smart Art Marketing. And there’s absolutely no charge.

This 20-installment email course and newsletter delivers the techniques and strategies you need to know when marketing online.

Find out more and sign up for free here.